As artists — one of us a painter, the other a poet — our visions for trans liberation were united by our desire to center Blackness, and the challenge to imagine tangibly what a world post-incarceration might look, feel, taste like.
While Benji entered the project struck by and hoping to pay homage to the life of Layleen Cubilette-Polanco Xtravaganza — an Afro-Latina trans woman who died inside Rikers Island prison in June of 2019 — Glori was particularly interested in honoring Black, trans elders. She hoped to imagine aging-while-trans not as an anomaly but a right, and to capture the tension between Black trans intimacy and public defiance.
With these areas of interest in mind, we began our first collaborative discussion looking for shared imagery around which we could build our respective pieces. What we landed on was doing hair, a site that captured the themes of Black intimacy, joy, and labor outside of capitalism, and which Glori envisioned as representing multiple generations of Black, trans, femme, and gender nonconforming bodies.
Even as Benji’s poem went through intense edits — ultimately landing as a revised version of the various bits of legislation ostensibly passed in Layleen’s name by the New York City Council—the image of Black trans elders having their hair braided/retwisted by chosen community members remained a central image of Black trans life beyond both interpersonal violence and prisons.
About the Artist:
Glori Tuitt is a New York City based painter/illustrator and Black woman of trans experience. A graduate from Purchase College with a B.F.A in Painting+Drawing, her work explores the intersections of race, religion and pop culture in relation to the identifying of self. Mining the collective history of queer representation, she sees herself as intermediary and visual translator assembling new hybrid archetypes and narratives, ultimately seeking to both humanize and deify trans existence.